This [film] is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge [Druckrey]’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are ‘memories of motion.’ Above all, it is characteristic of Inge that in this examination of basic principles the word “beautiful” is used several times.”
Every Rembrandt exhibition is eagerly anticipated, but a once-in-a-lifetime show at London's National Gallery and Amsterdam's Rijksmuseum that took 15 years to prepare was remarkable. With exclusive and privileged access to both galleries, this film documents this landmark exhibition while interweaving Rembrandt's life story with behind-the-scenes preparations at these world-famous institutions. Rembrandt is the greatest artist that ever lived to many, and this film seeks to explore the truth.
Sarah Hall designs architectural glass for buildings around the world. Now she installs one of her most ambitious designs to date, a series of giant solar energy collecting windows in a cathedral. It will be the first Cathedral in the world to incorporate solar energy into its design.
The work of these street artists arises out of their love for the urban jungle. Their selected materials are intended to naturally grow, die, melt, or blow away in the wind. Their clever creations add dignity to derelict sites and beautify the city landscape, especially in areas of decay.
Nicholas Kennedy works with the ghosts of printing’s past, by using salvaged equipment. His style of “anti-design” or “found design” insists that you don’t have to reinvent the wheel every time you create. He suddenly makes the dying art of bookmaking seem very much alive.
La Sagrada Familia – although still under construction in Barcelona – is a cathedral without any flaws. Almost 100 years after his death, experts are convinced that Gaudi was a mathematical genius and that each embellishing ornament of the Sagrada Familia actually serves an architectural purpose.
2015 • Design