Looking Forward • 2011 • episode "S1E4" • Design with the Other 90 Percent

99:09

A showcase of top animation from the UK's finest new talents. British animator Osbert Parker presents the TV premiere of exciting short films. All were recipients of grants under BBC Four and the British Film Institute's Animation 2018 initiative, which called out for new and emerging talent from around the country. The films take a variety of approaches, using styles and techniques ranging from hand-drawn images to live-action puppetry, stop motion, CG, 2D and 3D, covering a diversity of genres from science-fiction to documentary. Though richly varied in tone and content, they have been curated into four groups on the themes of animals, other worlds, obsession and love. Morris dancing badgers, a noir fairy tale, a heartening tale of love beyond the grave and an alien coming-of-age story are just some of the treats in store from some of the nation's most-imaginative and talented new animators.

2018 • Design

75:42

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

2009 • Design

49:06

Picking up the story of design from the drab days of the late 70s, the final episode tracks the explosion of wild creativity that defined the 'designer decades' of the 80s and early 90s. By addressing wants rather than needs and allying themselves to the blatant consumerism of 'retail culture' designers emerged from the backrooms to claim a starring role in the shaping of modern life.

S1E5 • The Genius of Design • 2010 • Design

9:53

The forging of a polygon realm.

S1E3 • A Brief History of Graphics • 2014 • Design

46:28

Piers and Caroline end their tour in Florida with a waterfront wonder, a modest pavilion, a modernist showpiece and a high-end home built on stilts

S2E1 • The World's Most Extraordinary Homes • 2018 • Design

37:00

This [film] is about patient and dedicated teaching, about learning to look and visualize in order to design, about the importance of drawing. It is one designer’s personal experience of issues that face all designers, expressed with sympathy and encouragement, and illustrated with examples of Inge [Druckrey]’s own work and that of grateful generations of her students. There are simple phrases that give insights into complex matters, for example that letterforms are ‘memories of motion.’ Above all, it is characteristic of Inge that in this examination of basic principles the word “beautiful” is used several times.”

2012 • Design