Alastair explores the extraordinary afterlife of the Greek masterpieces that changed the course of western culture. Succeeding centuries have found in ancient Greek art inspiration for their own ideals and ambitions. Filming in Italy, Germany, France and Britain, Alastair's investigation includes The Venus of Knidos, the first naked woman in Western art, the bronze horses of St Mark's in Venice which became a pawn in an imperial game and the naked discus thrower, the Discobolus, personally bought by Adolf Hitler and used by him as a symbol of Aryan supremacy.
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Alastair explores the surprising roots of Greek art, beginning his journey in Crete at the palace of Knossos, legendary home of the Minotaur. He travels to Santorini to the 'Greek Pompeii', and finds gold in the fabled stronghold of Mycenae and dazzling remains from Greece's Dark Ages. Alastair discovers the beginnings of a defining spirit in Greek art, embracing mythology, a passion for symmetry, and an obsession with the human body.
2015 • History
Alastair unpicks the reasons behind the dazzling revolution that gave birth to classical Greek art, asking how the Greeks got so good so quickly. He travels to the beautiful Valley of the Temples in Agrigento, and to the island of Mozia to see the astonishing charioteer found there in 1979, and marvels at the athletic bodies of the warriors dragged from the seabed - the Riace Bronzes. It was a creative explosion that covered architecture, sculpting in marble, casting in bronze, even painting on vases. Perhaps the most powerful factor was also its greatest legacy - a fascination with the naked human body.
2015 • History
Alastair explores the extraordinary afterlife of the Greek masterpieces that changed the course of western culture. Succeeding centuries have found in ancient Greek art inspiration for their own ideals and ambitions. Filming in Italy, Germany, France and Britain, Alastair's investigation includes The Venus of Knidos, the first naked woman in Western art, the bronze horses of St Mark's in Venice which became a pawn in an imperial game and the naked discus thrower, the Discobolus, personally bought by Adolf Hitler and used by him as a symbol of Aryan supremacy.
2015 • History
1916, the Great War, far away from the trenches, in the sand of the Middle East, war has a very different face. With a handful of intrepid men, Thomas Edward Lawrence leads the revolt of the Arabs alongside Sharif Hussein, against the Ottoman Empire.
S3E7 • Butterfly Effect • 2018 • History
Communication is the vital ingredient in the building of civilization. The ability to share complicated ideas allowed early man to hunt, farm and build communities.
10/12 • Mankind Decoded • 2013 • History
Since December 1941, a vicious war against Japan was being waged in the Pacific. The Japanese were driven back across the ocean, island by island, in savage hand to hand fighting. American dominance at sea was finally established in "The Great Marianas Turkey Shoot", when radar gave the US Navy advance warning of a huge Japanese attack and the last vestiges of Japanese naval air power were destroyed. But this film also looks at the war in the jungles, in places like Burma, where new specialist fighting units - like Orde Wingate's Chindits - slowly pushed back the Japanese despite horrific conditions.
11/13 • World War II In HD Colour • 2009 • History
Archaeologist and historian Richard Miles looks at the winners, losers and survivors of the great Bronze Age collapse, a regional catastrophe that wiped out the hard-won achievements of civilisation in the eastern Mediterranean about 3,000 years ago. In the new age of iron, civilisation would re-emerge, tempered in the flames of conflict, tougher and more resilient than ever before.
S1E2 • Ancient Worlds • 2010 • History
He continues his personal account of Britain's empire by looking at how traders, conquerors and settlers spread the British way of doing things around the world - in particular how they created a very British idea of home. He begins in India, where early traders wore Indian costume and took Indian wives. Their descendants still cherish their mixed heritage. Victorian values put a stop to that as inter racial mixing became taboo. In Singapore he visits a club where British colonials gathered together, in Canada he finds a town whose inhabitants are still fiercely proud of the traditions of their Scottish ancestors, in Kenya he meets the descendants of the first white settlers - men whose presence came to be bitterly resented as pressure for African independence grew. And he traces the story of an Indian family in Leicester whose migrations have been determined by the changing fortunes of the British empire.
During the seventh episode of NEW YORK: A DOCUMENTARY FILM, the turbulent and often harrowing years from 1945 to the present are explored. Emerging from the Depression and the Second World War as the most powerful metropolis on Earth, New York soon confronted urban woes of unprecedented proportions, and fought for its very existence. In exploring the social, economic and physical forces that swept through the city in the post-war period, Episode Seven examines the great African-American migration and Puerto Rican immigration of the '40s, '50s, and '60s; the beginnings of white flight and suburbanization; and the massive physical changes wrought by highways and urban renewal -- all of which were directed, to a surprising degree, by one man: Robert Moses. The film comes to a climax with the destruction of Penn Station, the battle over the Lower Manhattan Expressway, the social and fiscal crises of the '60s and '70s, and New York's miraculous revival in the last quarter-century.
S1E7 • New York: A Documentary Film • 1999 • History