What Is Out There? • 2010 • episode "1/6" The Story of Science

Category: Creativity
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How we came to understand our planet was not at the centre of everything in the cosmos.

The Story of Science • 2010 • 6 episodes •

What Is Out There?

How we came to understand our planet was not at the centre of everything in the cosmos.

2010 • Creativity

What is the World Made Of?

How atomic theories and concepts of quantum physics underpin modern technology.

2010 • Creativity

Can We Have Unlimited Power?

The story of how power has been harnessed from wind, steam and from inside the atom.

2010 • Science

How Did We Get Here?

Michael Mosley tells how scientists came to explain the diversity of life on earth.

2010 • Science

Who Are We?

The sciences of brain anatomy and psychology have offered different visions of who we are.

2010 • Brain

What Is The Secret of Life?

The story of how the secret of life has been examined through the prism of the human body.

2010 • Science

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What Is Out There?

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Picasso

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Horror

Mark turns to horror and shows how film-makers have devilishly deployed a range of cinematic tricks to exploit our deepest, darkest and most elemental fears. He explores the recurring elements of horror, including the journey, the jump scare, the scary place, the monster and the chase. He reveals how they have been refined and reinvented in films as diverse as the silent classic The Phantom of the Opera, low-budget cult shockers The Texas Chain Saw Massacre and The Evil Dead, and Oscar-winners The Silence of the Lambs and Get Out. Mark analyses the importance of archetypal figures such as the clown, the savant and the 'final girl'. And of course, he celebrates his beloved Exorcist films by examining two unforgettable but very different shock moments in The Exorcist and The Exorcist III. Ultimately, Mark argues, horror is the most cinematic of genres, because no other kind of film deploys images and sound to such powerful and primal effect.

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Andy Warhol

The first in a four-part series exploring the life and works of the 20th century's most important artists: Matisse; Picasso; Dali and Warhol. Art critic Alastair Sooke sets out to discover why these artists are considered so great and how they still influence our lives today. He begins with Andy Warhol, the king of Pop Art. On his journey he parties with Dennis Hopper, has a brush with Carla Bruni and gets to grips with Marilyn. Along the way he uncovers just how brilliantly Andy Warhol pinpointed and portrayed our obsessions with consumerism, celebrity and the media, and then went on to re-invent them.

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