Radiance • 2018 • episode "7/10" Civilisations

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Simon Schama starts his meditation on colour and civilisation with the great Gothic cathedrals of Amiens and Chartres. He then moves to 16th-century Venice...

Civilisations • 2018 • 10 episodes •

Second Moment of Creation

A look at the formative role art and imagination have played in the forging of humanity.

2018 • History

How Do We Look

In this episode of Civilisations, Professor Mary Beard explores images of the human body in ancient art, from Mexico and Greece to Egypt and China.

2018 • History

Picturing Paradise

Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.

2018 • History

The Eye of Faith

Professor Mary Beard broaches the controversial, sometimes dangerous, topic of religion and art. For millennia, art has inspired religion as much as religion has inspired art.

2018 • History

The Triumph of Art

Think Renaissance and you think of Italy. But in the 15th and 16th centuries, the great Islamic empires experienced their own extraordinary cultural flowering.

2018 • History

First Contact

In the 15th and 16th centuries distant and disparate cultures met, often for the first time. These encounters provoked wonder, awe, bafflement and fear.

2018 • History

Radiance

Simon Schama starts his meditation on colour and civilisation with the great Gothic cathedrals of Amiens and Chartres. He then moves to 16th-century Venice...

2018 • History

The Cult of Progress

If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.

2018 • History

The Vital Spark

Simon Schama begins Civilisations with this premise: that it is in art - the play of the creative imagination - that humanity expresses its most essential self: the power to break the tyranny of the humdrum, the grind of everyday.

2018 • History

Civilisations on your Doorstep

From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.

2018 • History

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Between Oceans and Empires

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The Rise of Antisemitism

Himmler, Goebbels and Goering jockey for position while the Nazis rise to control Germany and plot to launch their vicious antisemitic programs.

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A Taste for Power

In the first programme, he asks how such a small country got such a big head, and how a tiny island in the North Atlantic came to rule over a quarter of the world's population. He travels to India, where local soldiers and local maharajahs helped a handful of British traders to take over vast areas of land. Spectacular displays of imperial power dazzled subject peoples and developed a cult of Queen Victoria as Empress, mother and virtual God. In Egypt, Jeremy explores the bit of Empire that never was, as Britain's temporary peace-keeping visit turned into a seventy year occupation. He travels to the desert where Lawrence of Arabia brought a touch of romance to the grim struggle of the First World War. As Britain came to believe it could solve the world's problems, he tells the story of the triumphant conquest of Palestine by Imperial troops - and Britain's role in a conflict that haunts the Middle East to this day.

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The 1960s

Witness the dawn of modern America, through famous and infamous images and footage, shown in full color. From the Cuban Missile Crisis to the music of the Beatles; from the March on Washington to the walk on the moon, it's the '60s like they've never been seen before.

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Mystery of the Screaming Man

Over 100 years ago an unidentified mummy was found lying alongside some of the most famous pharaohs in Egyptian history but his face is locked in an eternal scream. In 1881, a bizarre mummy was unwrapped by a team of Victorian Egyptologists. Known today as the Screaming Man or Man E, he was very different from previously discovered royal mummies. What caused this mans haunting expression? Why wasn't he mummified according to custom? Find out what makes him different: Unknown Man E is nameless and, according to Egyptian beliefs, unable to move on to the afterlife because his body, wrapping, and coffin were left completely unmarked.

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