Simon Schama starts his meditation on colour and civilisation with the great Gothic cathedrals of Amiens and Chartres. He then moves to 16th-century Venice...
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Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.
2018 • History
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
This program contends that the popular perception of the Muslim occupation of Spain toward the end of the first millennium is largely wrong. The eighth century Muslim invasion of the Iberian Pennisula was largely welcomed by the locals and rejuvenated the area with advanced technology, agriculture and a construction boom. This program describes these innovations. All this changed in the eleventh century when the regional government fragmented. That set the stage for the Christian invasion and the Islamic fundamentalist resistance leading to more of a civil war than a holy war that decimated the region with corruption, destruction and exile.
2005 • History
The tranquil lives of the citizens of Mobile, AL; Sacramento, CA; Waterbury,CT; and Luverne, MN are shattered on December 7, 1941, as they, along with the rest of America are thrust into the greatest cataclysm in history.
The Berlin Wall separating East and West Germany was the most potent symbol of Communist oppression in Europe during the Cold War. The documentary "The Wall: A World Divided" profiles how a source of violence, hostility and pain was torn down by ordinary journalists and citizens who risked their life to bring down an oppressive regime and achieve what politicians and world leaders could not. "The Wall: A World Divided" looks deep inside the revolution that swept across Europe two decades ago — with the November 1989 opening of the Berlin Wall — to understand how this remarkable event helped end the Cold War without a shot being fired. The film explores the lives of ordinary people caught up in Cold War politics: a young father forced to tunnel beneath the wall to reunite his family; a teenager whose love of pop culture got him in deep trouble with the state; a student activist helping make a peaceful revolution while facing down tanks; and a young man broken by the ruthless interrogation methods of the secret police. With insights from political leaders like George H.W. Bush, Mikhail Gorbachev, Helmut Kohl, James Baker and Condoleezza Rice, explore the origins and demise of the notorious Berlin Wall, the structure's affect on ordinary German lives and the peaceful end to the Cold War. Full of detailed information, this historical PBS documentary explains the stark differences between East and West Germany and their process of reunification.
2010 • History
A look at how Hitler calculated that to fight on long enough to fulfil his aim of eradicating Europe's Jews he needed to capture the Caucasus, and to do that he had to take Stalingrad. There is also a look at how the US rebuilt its navy and took itself from the 18th-ranked army in the world to be second only to the Soviet Union, a tale of ingenuity and enterprise that turned the vast resources of America into the numbers that could win a war.
In the 15th century, an inventor in a workshop in Strasburg came up with a machine that would eventually change the history of the entire world and shake a religion to its core. The choice of the first work to be printed is an astute one: Saint Jerome’s Latin version of the Bible.