Think Renaissance and you think of Italy. But in the 15th and 16th centuries, the great Islamic empires experienced their own extraordinary cultural flowering.
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Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.
2018 • History
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
Over 60,000 years ago, the first modern humans—people physically identical to us today—left their African homeland and entered Europe, then a bleak and inhospitable continent in the grip of the Ice Age. But when they arrived, they were not alone: the stocky, powerfully built Neanderthals had already been living there for hundred of thousands of years. So what happened when the first modern humans encountered the Neanderthals? Did we make love or war?
2013 • History
Continuing his fascinating journey to rediscover the central role played by the Ottoman empire in Europe and the Middle East, Rageh Omaar explores the huge contrasts in the times of two very different Ottoman sultans. The most famous Suleiman the Magnificent in the golden age of the 16th century and the troubled reign of Abdul Hamid II in the 19th century when the Ottomans were dubbed 'the Sick Man of Europe'. Rageh examines the cultural legacy as well as the physical, religious and political architecture of Ottoman rule to find out what a Muslim world run from Europe was really like. It reveals the backdrop to the relationship between Islam and Europe today, how the Ottomans became central in the power politics of Europe and what could have happened had they succeeded in their successive bids to seize Vienna, then a key European capital.
Neil reveals how the clans plotted against Mary Stewart, Queen of Scots, ultimately leading to the beheading of the most charismatic queen in Scottish history. The tale turns on a brother's plot to overthrow his sister in a ruthless bid for power. James Stewart, Earl of Moray, uses clan power to first control and then rid Scotland of his sister Mary. As she battles conspiracies, plots and counterplots, Mary is trapped in the cruel and tumultuous world of clan blood feuds. After they murder her husband Lord Darnley and Mary flees into the arms of the Earl of Bothwell, the most ruthless of Scotland's clan chiefs, civil war breaks out. Mary escapes to England, never to return again.
Examine the process of "destructive creation"-the idea that fear, rivalry and conflict strengthen community bonds while stimulating an arms race of technological progress. The result is civilization. Ancient Mesoamerica exemplifies this development.
Julius Caesar is the most famous Roman of them all: brutal conqueror, dictator and victim of a gruesome assassination on the Ides of March 44 BC. 2,000 years on, he still shapes the world. He has given us some political slogans we still use today (Crossing the Rubicon), his name lives on in the month of July, and there is nothing new about Vladmir Putin's carefully cultivated military image and no real novelty in Donald Trump's tweets and slogans. Mary Beard is on a mission to uncover the real Caesar, and to challenge public perception. She seeks the answers to some big questions. How did he become a one-man ruler of Rome? How did he use spin and PR on his way to the top? Why was he killed? And she asks some equally intriguing little questions. How did he conceal his bald patch? Did he really die, as William Shakespeare put it, with the words Et tu, Brute on his lips? Above all, Mary explores his surprising legacy right up to the present day. Like it or not, Caesar is still present in our everyday lives, our language, and our politics. Many dictators since, not to mention some other less autocratic leaders, have learned the tricks of their trade from Julius Caesar.
2018 • History