Simon Schama explores one of our deepest artistic urges - the depiction of nature. Simon discovers that landscape painting is seldom a straightforward description of observed nature - rather it is a projection of dreams and idylls, as well as of escapes and refuges from human turmoil, the elusive paradise on earth.
2018 • History
If David Olusoga's first film in Civilisations is about the art that followed and reflected early encounters between different cultures, his second explores the artistic reaction to imperialism in the 19th century. David shows the growing ambivalence with which artists reacted to the idea of progress, both intellectual and scientific, that underpinned the imperial mission and followed the Enlightenment and the Industrial Revolution.
2018 • History
From Roman marbles and Egyptian mummies to Renaissance masterpieces and African sculptures, in this special accompanying programme to Civilisations, Mary Beard goes in search of extraordinary works of art from all over the world that can be seen here in Britain.
2018 • History
The final programme in the series looks at Romania, where Nicolae and Elena Ceausescu ran a personal dictatorship for nearly a quarter of a century. Abortion and contraception were banned as their rule reached far into the private lives of every Romanian. When communism collapsed and the regime was overthrown, the self-styled 'mother and father of the nation' were executed by a firing squad on December 25 1989.
1916. The war is raging in Europe and stretches from the trenches in France to the Italian Alps and the Balkans, and beyond to the gates of the Eastern world. The conflict becomes industrial, and millions of shells rain down on the battlefields; Verdun and the Somme are the deadliest battles in this second year of the war. Who can stop this infernal machine?
King Harold of England takes on two invasion forces. First, his brother Tostig attacks the south coast. He is repelled, but there is more to come. Later in the year, a vast Viking invasion force led by King Harald Hardrada of Norway lands in the north.
Continuing his fascinating journey to rediscover the central role played by the Ottoman empire in Europe and the Middle East, Rageh Omaar explores the huge contrasts in the times of two very different Ottoman sultans. The most famous Suleiman the Magnificent in the golden age of the 16th century and the troubled reign of Abdul Hamid II in the 19th century when the Ottomans were dubbed 'the Sick Man of Europe'. Rageh examines the cultural legacy as well as the physical, religious and political architecture of Ottoman rule to find out what a Muslim world run from Europe was really like. It reveals the backdrop to the relationship between Islam and Europe today, how the Ottomans became central in the power politics of Europe and what could have happened had they succeeded in their successive bids to seize Vienna, then a key European capital.