They defined music and popular culture like no other band ever will. But how did The Beatles make the journey from Merseyside teenagers to international pop stars in the 1960s? The Beatles: Made on Merseyside recounts how American rock ‘n’ roll and rhythm and blues dragged post-war Liverpool into one of the most vibrant music cities ever with the Mersey Sound. Featuring unique archive and revealing interviews from those involved in the early years of The Beatles in Liverpool and Hamburg, we discover the story of The Beatles’ previous band formations and why it took so long for them to achieve success. From school bands to colleges, Hamburg to The Cavern Club, The Beatles moved from skiffle to rock ‘n’ roll before creating their unique sound.
Suzy Klein takes us back to the volatile years following the Russian Revolution and World War I, when music was seen as a tool to change society. Suzy explores the gender-bending cabarets of 1920s Berlin and smashes a piano in the spirit of the Bolshevik revolution. She also reveals why one orchestra decided to work without a conductor, uncovers the dark politics behind Mack the Knife and probes the satirical songs which tried to puncture the rise of the Nazis. Suzy's musical stories are brought to life with the help of the BBC National Orchestra of Wales and its Chorus, as well as solo performers. This was a golden age for music, and its jazz, popular songs, experimental symphonies and classics like Rachmaninoff all provoke debate - what kind of culture do we want? Is music for the elite or for the people? Was this a new age of liberal freedom to be relished - or were we hurtling towards the apocalypse?
Lenny Kaye, Patti Smith’s guitarist, explains how the quest for new guitar sounds has driven the history of popular music, from Les Paul’s first guitar to Bo Diddley’s tremolo, Duane Eddy’s whammy bar, Keith Richards’s fuzz pedal, The Who’s feedback, The Byrds’ 12-string, Hendrix’s wah-wah pedal, Uli Roth and Van Halen’s shredding, The Edge’s digital delay, Ry Cooder’s slide, and KT Tunstall and Ed Sheeran’s looper pedals. With Duane Eddy, Roger McGuinn, The Edge, Bonnie Raitt, Seasick Steve, KT Tunstall, Joe Bonamassa, Uli Roth, Vernon Reid, Heart’s Nancy Wilson, The Runaways’ Lita Ford and producer Shel Talmy.
In 1969, 500,000 people descended on a small field in a little-known town in upstate New York called Woodstock. The documentary that captured the iconic event, chronicled in unflinching detail this moment in history. But how was this groundbreaking film actually made?
2019 • Music
In the 1970s, America was one nation under a groove as an irresistible new style of music took hold of the country - funk. The music burst out of the black community at a time of self-discovery, struggle and social change. Funk reflected all of that. It has produced some of the most famous, eccentric and best-loved acts in the world - James Brown, Sly & the Family Stone, George Clinton's Funkadelic and Parliament, Kool & the Gang and Earth, Wind & Fire. During the 1970s this fun, futuristic and freaky music changed the streets of America with its outrageous fashion, space-age vision and streetwise slang. But more than that, funk was a celebration of being black, providing a platform for a new philosophy, belief system and lifestyle that was able to unite young black Americans into taking pride in who they were. Today, like blues and jazz, it is looked on as one of the great American musical cultures, its rhythms and hooks reverberating throughout popular music. Without it hip-hop wouldn't have happened. Dance music would have no groove. This documentary tells that story, exploring the music and artists who created a positive soundtrack at a negative time for African-Americans. Includes new interviews with George Clinton, Sly & the Family Stone, Earth, Wind & Fire, Kool & the Gang, War, Cameo, Ray Parker Jnr and trombonist Fred Wesley.
2014 • Music
The composer examines the history and development of music, beginning by looking back at the first faltering steps humanity took toward creating it. He considers archaeological evidence showing that music was as important in the late Stone Age as it is now and charts how Gregorian chant started with a handful of monks singing the same tune in unison. Over the course of several centuries, medieval musicians painstakingly put together the basics of what has become termed harmony and then added rhythm - the building blocks of the music the world enjoys today
Musician Neil Brand explores the magical elements that come together to create great songs by recreating some of the most memorable and innovative recording sessions in music history - from Elvis's slapback echo in Memphis and the Beatles' tape loops at Abbey Road to Phil Spector's Wall of Sound and the Beach Boys' pop symphonies. He shows that all this was made possible by the discovery of magnetic tape by an American soldier in the ruins of WWII Germany, the invention that, more than any other, drove the emergence of the music studio as a compositional tool and the rise of the producer as a new creative force shaping the sound of song.